ROGELIO BÁEZ VEGA

Paintings

Ficción Caribeña series

ID. República Dominicana: Facultad de Ingeniería y Arquitectura (FIA) Universidad Autónoma de Santo Domingo (UASD) 1955 Arq. José Antonio Caro Álvarez, 2022, oil, beeswax, and powdered gold pigment on canvas, 6’ x 4’, Arq. Richard Parr collection.  
ID. Puerto Rico: Facultad Ciencias Sociales Universidad de Puerto Rico, Recinto Río Piedras 1951-1964 Arq. Henry Klumb, 2022, oil, beeswax,  
and powdered gold pigment on canvas, 6’ x 4’, Jorge Pérez collection. 
ID. Cuba: Talleres Universidad de Villanueva 1959 Arq. Manuel R. Gutiérrez, 2022, oil, beeswax, and powdered gold pigment on canvas, 6’ x 4’.

De memoria series

ID. Escuela Carrion Maduro — New on the Market, 2021, oil, beeswax, and gold powdered pigment on canvas, 60″ x 84″, artist’s collection.
1986, Santurce, Puerto Rico, 2022, oil, beeswax, and gold powdered pigment on canvas, 58 ¾” x 71 ½”, Ignacio López and Laura Guerra collection.
1990, Santurce, Puerto Rico, 2022, oil, beeswax, and gold powdered pigment on canvas, 56” x 66 1⁄2”, Ralph G. Christiansen collection.

Failed Utopias series

ID. Caratini Office Building, Santurce, Curtis and Davis, propuesta no realizada para Ponce de León, PR, 2022, oil, beeswax, gold pigment on canvas, 58″ x 72″, Jimmy Díaz collection.
New Proposal for a Tropical Hotel, San Juan, ca. late 1960’s I, 2021, oil. beeswax, and gold pigment on wood panel, 20″ x 24″, Dylan Born collection.
New Proposal for a Tropical Hotel, San Juan, ca. late 1960’s II, 2021, oil. beeswax, and gold pigment on wood panel, 20″ x 24″, Dylan Born collection.

Ficción colonial series

Estudios para Ficción colonial, 2022, oil and powdered gold pigment on canvas, 14″ x 11″, Gerardo Flores collection.
Estudios para Ficción colonial, 2022, oil and powdered gold pigment on canvas, 14″ x 11″, Tito Rovira collection.
Estudios para Ficción colonial, 2022, oil and powdered gold pigment on canvas, 14″ x 11″, Gerardo Flores collection.
Estudios para Ficción colonial, 2022, oil and powdered gold pigment on canvas, 14″ x 11″, Gerardo Flores collection.
Estudios para Ficción colonial, 2022, oil and powdered gold pigment on canvas, 14″ x 11″, Gerardo Flores collection.
Estudios para Ficción colonial, 2022, oil and powdered gold pigment on canvas, 14″ x 11″, Gerardo Flores collection.

Henry’s Myth series

ID. Centro de Estudiantes Universidad Interamericana, Recinto de San Germán (Puerto Rico Arquitectos V. Muñiz-Núñez Sargent, Webster, Crenshaw and Folley), 2022, oil, beeswax, and gold pigment on canvas, 56” x 67”, artist’s collection.
ID. Escuela de Derecho, Universidad de Puerto Rico, Recinto de Río Piedras, San Juan, PR, 2021-2022, oil, beeswax, gold pigment on canvas, 60″ x 84″, Jonathan Marvel collection.
ID. Facultad de Ciencias Sociales — Universidad de Puerto Rico, 2022, oil and powdered gold pigment on canvas, 4' x 6', Pont Family collection.
ID. Facultad de Ciencias Sociales — Universidad de Puerto Rico, 2022, oil and powdered gold pigment on canvas, 4′ x 6′, Pont Family collection.
ID. Hotel La Concha, Condado, P.R., 2021, oil, beeswax and gold pigment on canvas, 40" x 61", Miguel Soto collection.
ID. Hotel La Concha, Condado, P.R., 2021, oil, beeswax, and gold pigment on canvas, 40″ x 61″, Miguel Soto collection.
ID. Hotel La Rada, San Juan, P.R., from the Henry's Myth series, 2021, oil, beeswax and gold pigment on canvas, 55 ¾" x 66 ½", Ignacio Cortés Collection.
ID. Hotel La Rada, San Juan, P.R., 2021, oil, beeswax, and gold pigment on canvas, 55 ¾” x 66 ½”, Ignacio Cortés collection.
ID. Escuela Lola Rodríguez de Tió, Carolina, P.R., Henry's Myth series, 2021, oil, beeswax and gold pigment on canvas, 40" x 61", Juliette and Jaime Jackson Collection.
ID. Escuela Lola Rodríguez de Tió, Carolina, P.R., 2021, oil, beeswax, and gold pigment on canvas, 40″ x 61″, Juliette and Jaime Jackson Collection.
ID. Tribunal Supremo, San Juan, P.R., 2021, oil, beeswax and gold pigment on canvas, 54" x 72", Jonathan Marvel collection.
ID. Tribunal Supremo, San Juan, P.R., 2021, oil, beeswax, and gold pigment on canvas, 54″ x 72″, Jonathan Marvel collection.
ID. Cerromar Beach Hotel, Dorado, Puerto Rico, 2021, oil, beeswax and gold powdered pigment on canvas, 48” x 72”, Jaime and Juliette Jackson collection.
ID. Cerromar Beach Hotel, Dorado, Puerto Rico, 2021, oil, beeswax, and gold powdered pigment on canvas, 48” x 72”, Jaime and Juliette Jackson collection.
ID. Parke-Davis & Co, Farmacéutica, Henry Klumb, Carolina, Puerto Rico, 2021, oil, beeswax, gold pigment on canvas, 40” x 61”, Warren James collection.
ID. Parke-Davis & Co, Farmacéutica, Henry Klumb, Carolina, Puerto Rico, 2021, oil, beeswax, gold pigment on canvas, 40” x 61”, Warren James collection.
ID. Centro de Estudiantes, Universidad de Puerto Rico, Río Piedras, 2021, oil, beeswax, and powdered gold pigment on canvas, 40" x 61", Sylvia de Marco collection.
ID. Centro de Estudiantes, Universidad de Puerto Rico, Río Piedras, 2021, oil, beeswax, and powdered gold pigment on canvas, 40″ x 61″, Sylvia de Marco collection.
ID. Centro Comunal Parcelas Suárez, Loíza, PR, 2020, oil, beeswax, gold pigment on canvas, 52" x 52", César Reyes and Mima Benítez collection.
ID. Centro Comunal Parcelas Suárez, Loíza, PR, 2020, oil, beeswax, gold pigment on canvas, 52″ x 52″, César Reyes and Mima Benítez collection.
ID. Escuela de Derecho – Universidad de Puerto Rico, 2020, oil, beeswax, and gold pigment on canvas, 43″ x 64″, private collection.
Caribe Failures – Hilton 2021, 2019, oil, beeswax, gold pigment on canvas, 40” x 32”. César Reyes and Mima Benítez collection.
ID. Biblioteca Lázaro - Universidad de Puerto Rico, Río Piedras, 2019, oil and powdered gold pigment on canvas, 5' x 7', César Reyes and Mima Benítez collection.
ID. Biblioteca Lázaro – Universidad de Puerto Rico, Río Piedras, 2019, oil and powdered gold pigment on canvas, 5′ x 7′, César Reyes and Mima Benítez collection.
ID. Museo – Universidad de Puerto Rico, 2019, oil and powdered gold pigment on canvas, 5′ x 7′, Luis de Corral collection.
ID. Museo – Universidad de Puerto Rico, 2019, oil and powdered gold pigment on canvas, 5′ x 7′, Luis de Corral Collection.
ID. Colegio San Ignacio de Loyola, San Juan, PR, 2019, oil and powdered gold pigment on canvas, 5′ x 7′, Jonathan Marvel collection.
ID. Colegio San Ignacio de Loyola, San Juan, PR, 2019, oil and powdered gold pigment on canvas, 5′ x 7′, Jonathan Marvel Collection.
Paraíso Móvil, 2019, oil on canvas, 55″ x 70″, Francis Greenburger Collection, Ghent, NY.

Estudios de costas series

Estudios de costas, Cataño, 2021, oil, beeswax, and powdered gold pigment on canvas, 16″ x 12″, Ramos Borges collection.
Estudios de Costas, 2022, oil, beeswax, and gold powder pigment on canvas, 20″ x 16″, Luis de Corral collection.
Estudios de Costas, 2022, oil, beeswax, and gold powder pigment on canvas, 20″ x 16″, Luis de Corral collection.
Playa Piñones, PR, 2020, oil, beeswax, and gold powder pigment on canvas, 24″ x 18″, Mariane Ibrahim collection.
Playa Piñones, Loíza, PR, 2020, oil, beeswax, and gold powder pigment on canvas, 14″ x 11″, Erasmo León collection.
Chatarra (Scrap Iron Beach) Studio I, 2020, oil and gold pigment on canvas, 14″ x 11″, Ramses Luquis collection.
Chatarra (Scrap Iron Beach, Piñones, PR) Studio II, 2020, oil and gold pigment on wood panel, 9 ⅛” x11″, private collection.
Chatarra (Scrap Iron Beach, Piñones, PR) Studio III, 2020, oil and gold pigment on wood panel, 8 ¼” x 10 ½”, private collection.
Chatarra (Scrap Iron Beach, Piñones, PR) Studio IV, 2020, oil and gold pigment on cedar wood, 9″ x 11 ½”, private collection.
Exotic Island - Cosmetic Corruption II, 2020, oil, beeswax and powdered gold pigment on canvas, 24" x 18 ¼", Ignacio López & Laura Guerra collection.
Exotic Island – Cosmetic Corruption II, 2020, oil, beeswax, and powdered gold pigment on canvas, 24″ x 18 ¼”, Ignacio López & Laura Guerra collection.
Exotic Island - Cosmetic Corruption I, 2020, oil, beeswax and powdered gold pigment on canvas, 24" x 18 ¼", Ignacio López & Laura Guerra collection.
Exotic Island – Cosmetic Corruption I, 2020, oil, beeswax, and powdered gold pigment on canvas, 24″ x 18 ¼”, Ignacio López & Laura Guerracollection.
Last Standing III, 2020, oil, beeswax and powder gold pigment on canvas, 16" x 12", private collection.
Last Standing III, 2020, oil, beeswax, and powder gold pigment on canvas, 16″ x 12″, private collection.
Uvas de Playa, 2019, oil and powdered gold pigment on canvas, 14″ x 16″.
After September 20th, 2019, oil and gold powdered pigment on canvas, 16″ x 22″
Last Standing I, 2019, oil, beeswax, and gold powder pigment on canvas, 14″ x 11″, César Reyes and Mima Benítez collection.
Last Standing II, 2019, oil, beeswax, and gold powder pigment on canvas, 14″ x 11″, Roberto Biaggi collection.
El Final, 2019, oil and gold powdered pigment on canvas, 10″ x 12″, Silvia Berríos collection.
Ventana Vieques, 2019, oil on wood panel, 21″ x 17″, Private collection.

Paradox of a New Landscape series

Paradox of the New Landscape IV, 2018, oil on canvas, 48″ x 96″, Jonathan Marvel collection.
Paradox of the New Landscape III, 2018, oil on canvas, 48" x 60", Landrón Collection.
Paradox of the New Landscape III, 2018, oil on canvas, 48″ x 60″, Landrón Collection.
Paradox of a New Landscape II, 2018, oil on canvas, 39″ x 46″, Alexis Figueroa collection.
Paradox of a New Landscape I, 2018, oil on canvas, 39″ x 46″, Blair Benjamin collection.
Installation view at MassMoCA open studios.

Colonial Suites series

The New Mirror, 2017, oil and gold pigment powder on canvas, 89″ x 54″, Roberto Trápaga collection.
Trampantojo, 2017, oil and gold pigment powder on canvas, 48 ¾” x 59 ¾”, private collection.
Terraza colonial, 2017, oil and gold powder pigment on canvas, 39″ x 62″, private collection.
Governor’s Mansion – Mirror Room, 2017, oil on canvas, 48” x 38”, artist’s collection.
Governor’s Mansion – Blue Room, 2017, oil on canvas, 40” x 40”, Vales Lezcano Collection.
Governor’s Garden, 2017, oil on canvas, 48” x 48”, private collection.
Flores para Fortaleza, 2016, oil on canvas, 50” x 71”, Marie Lynn Arrieta collection.
Mirror Room – Sketch, 2017, oil and powdered gold pigment on canvas, 12″ x 9″, private collection.
Detail – Mirror Room, 2017, oil and powdered gold pigment on canvas, 12″ x 9″, private collection.
Found Bourgeoise Object I, 2017, oil and powdered gold pigment on canvas, 11″ x 11″, private collection.
Found Bourgeoise Object II, 2017, oil and powdered gold pigment on canvas, 11″ x 11″, private collection.
Found Bourgeoise Object III, 2017, oil and powdered gold pigment on canvas, 8″ x 8″, artist’s collection.
Found Bourgeoise Object IV, 2017, oil and powdered gold pigment on canvas, 12″ x 9″, private collection.
Found Bourgeoise Object V, 2017, oil and powdered gold pigment on canvas, 12″ x 9″, private collection.
Found Bourgeoise Object VI, 2017, oil and powdered gold pigment on canvas, 12″ x 9″, private collection.
Sacrifice Curtain, 2017, oil and powdered gold pigment on canvas, 12″ x 9″, artist’s collection.

Colonial Portraits series

Colonial Portraits I, 2017, oil on canvas, 21 ½” x 17 ½”, Ramos Borges collection.
Colonial Portraits II, 2017, oil on canvas, 21 ½” x 17 ½”
Colonial Portraits III, 2017, oil on canvas, 20 ¾” x 17 ½”, Collazo Ramos collection.
Colonial Portraits IV, 2017, oil on canvas, 24″ x 20″, private collection.
Colonial Portraits V, 2017, oil and canvas, 23 ⅓” x 29 ¾”.
Colonial Portraits VII, 2017, oil on canvas, 21″ x 18″.
Colonial Portraits VIII, 2017, oil and enamel on canvas, 24″ x 17″, private collection.
Colonial Portraits IX, 2017, oil on canvas, 24″ x 20″, private collection.
Colonial Portraits X, 2017, oil on canvas, 24″ x 20″, private collection.
Colonial Portraits XI, 2017, oil on canvas, 24″ x 17″, Private Collection.
Colonial Portraits XII, 2017, oil on canvas, Private collection.
Colonial Portraits XIII, 2017, oil on canvas, Hallee and Russ Patterson collection.
Colonial Portraits XIV, 2017, oil on canvas.

Meta isla series

Meta Isla I, 2013, acrylic and enamel on canvas, 62” x 40”, Museo de Arte y Diseño de Miramar (MADMi) Collection.
Meta Isla II, 2013, acrylic and enamel on canvas, 59” x 36”, Jonathan Marvel collection.

Fragmentos de Isla series

Social Interest, 2013, acrylic, industrial paint, and enamel on canvas, 7′ x 12’, Museo de Arte de Puerto Rico collection.
Coloso, from the Fragmentos de isla series, 2013, acrylic, enamel on canvas,
Coloso, 2013, acrylic, enamel, graphite, and industrial paint on canvas, private collection.
Point of View #4, 2012, acrylic, industrial paint, graphite, and enamel on canvas, 48″ x 36″, private collection.
Architecture is possible everywhere de la serie Fragmentos de Isla, 2011, acrílico, esmalte, grafito y pintura industrial sobre canvas, 77” x 78”, colección Arq. Miguel del Río.
Architecture is Possible Everywhere, 2011, acrylic, enamel, graphite, and industrial paint on canvas, 77” x 78”, Arq. Miguel del Río collection.
Isla de la serie Fragmentos de Isla, 2011, acrílico, esmalte, grafito y pintura industrial sobre canvas, 60” x 60”, colección Jiménez Colón
Isla, 2011, acrylic, enamel, graphite, and industrial paint on canvas, 60” x 60”, Jiménez Rolón collection.
Isla del Encanto Ice Plant, 2010, acrylic, enamel, graphite, and industrial paint on canvas, 70” x 50”, Carlos López Collection.
Last Trend de la serie Fragmentos de Isla, 2010, acrílico, esmalte, grafito y pintura industrial sobre canvas, 52 ½” x 75”, colección Johanna Cartagena.
Last Trend, 2010, acrylic, enamel, graphite, and industrial paint on canvas, 52 ½” x 75”, Johanna Cartagena collection.
Forever Spring, 2010, acrylic, enamel, graphite, and industrial paint on canvas, 90” x 52”, Iris and José & Iris Hernández Castrodad collection.
Colonial Parts
Colonial Parts, 2010, acrylic, enamel, graphite, and industrial paint on wood, 11 ¼” x14 7/8”, 8 5/8” x 15 ¾”, 10 5/8” x 13 ¾”, Cybelle Cartagena, Johanna Cartagena, Gerardo Vázquez collections.
Caribe de la serie Fragmentos de Isla, 2009, acrílico, esmalte, grafito y pintura industrial sobre canvas, 63 ¾” x 98”, colección Margarita Vicentí.
Caribe, 2009, acrylic, enamel, graphite, and industrial paint on canvas, 63 ¾” x 98”, Margarita Vincentí collection.
Last Stop de la serie Fragmentos de Isla, 2009, acrílico, esmalte, grafito y pintura industrial sobre panel de madera, 43” x 60”, colección Mary Evelyn Rodríguez.
Last Stop, 2009, acrylic, enamel, graphite, and industrial paint on wood panel, 43” x 60”, colección Mary Evelyn Rodríguez.
American Landscape in Puerto Rico from the Fragmentos de Isla series, 2009, acrílico, esmalte, graphite and industrial paint on canvas, 52” x 72”, colección Oriental Bank & Trust, primer premio Certamen Arte Joven.
American Landscape in Puerto Rico, 2009, acrylic, enamel, graphite, and industrial paint on canvas, 52” x 72”, Oriental Bank & Trust collection, *First Prize Certamen Arte Joven.
Fragmentos Siglo XXI, 2008, acrylic, gesso, fiberglass joint tape, and industrial paint on canvas, 58” x 70”, Museo de Arte Contemporáneo de Puerto Rico collection.
Untiltled III de la serie Fragmentos de Isla, 2008, acrílico sobre canvas, 52” x 60”, colección particular.
Untitled V, 2008, acrylic, enamel, graphite, and industrial paint on canvas, 52” x 60”, private collection.
Untitled IV, 2008, acrylic, enamel, graphite, and industrial paint on canvas, 52″ x 48″, Candelaria Estrella collection.
Untitled III, 2008, acrylic, enamel, graphite, and industrial paint on canvas, 52″ x 48″, private collection
Untitled II, 2008, acrylic, enamel, graphite, and industrial paint on canvas, 52″ x 48″, Edgardo Cabán & Dagyanamai Ignacio collection.
Untitled I, 2008, acrylic, enamel, graphite, and industrial paint on canvas, 52″ x 48″, Ramos Borges collection.
Untitled, 2008, acrylic on wood, (a) (b) (c) 6” x 6”, (d) 10” x 10”, (e) 10” x 10”, (f) 10” x 12”, (g) 10” x 14”, private collections.
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